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Both those and the collar have a nod to the regency era when this type of sleeve and collar were all the rage. The sleeves are also made out of the same silk organdy as the collar and slip on the lower arm. This gives the suit an unexpected touch of drama. The first is a detachable silk organdy collar that goes around the neck and adds a romantic flounce with a large soft bow and ties. Three additional pieces come with the suit. The top three buttons are finished with rhinestones and enamel and then the rest of the buttons are hidden under a flap of silk. The top is easy fitting through the body. Under that goes a little sleeveless ivory silk top with a small neat collar. The inside of the suit is as immaculate as the outside and it is entirely made by hand. A sharp fold runs down the front and the back of each leg. They are flat fronted and cut to taper down to the ankles. ![]() The pants are classic and simple in their cut. ![]() It is cut to be more straight through the body and then flares out slightly at the hem, falling to just past the hip. Two sleek little pockets are stacked on top of each other on either side of the waist for some detailing. The neckline comes down the front in a simple V and then it zips to close down the remainder of the front. The shoulders are shaped and the sleeves fall to just past the elbow. The jacket is cut to have a slight oversize feel through the body. It is just heavy enough to hold the shape beautifully. The suit is made from a fine black wool that is light in weight and has a slight texture. This set includes the jacket, pants, inner top, collar and both arm pieces. This is sharply contrasted with the dandified collar and arm pieces. The lines of this suit are crisp and sharp and the tailoring is immaculate. Lagerfeld reinvents the house signatures to pique the fantasies of today's young woman-and that he does just beautifully.’ He sprinkles the camellias, the satin bows, the organdy collars, and the bound edges so lightly that they become playful thrills-not belabored underscorings of theme or "brand identity."…. That allusion and others demonstrate just how deftly Lagerfeld-Chanel historian par excellence-marshals his knowledge. Sarah Mower said on her review of the show that ‘It was pure Chanel, crystallized to a point of perfection only witnessed in haute couture…. Karl Lagerfeld began this mostly black-and-white collection with a new treatment of the Chanel suit…. These were paired with flat white go-go boots, which were not referenced from the sixties, but from a pair Coco (always ahead of her time) was wearing in a photograph from the decade before. The simpler silhouette of this jacket allows for more versatility and styling. If you preferred that cinched in waist look you could easily belt the jacket. My client opted for a more sleek jacket that did not take her in it at the waist as much as the runway look did and a more classic trouser. You can see on the runway shots how beautifully they sit on an actual arm. ![]() The elaborate sleeves that you see coming out from under the jacket are actually separate pieces altogether. I am so glad this was a runway piece because it was almost impossible to photo correctly on the dress form. This is an incredible example of Karl Lagerfeld's Haute Couture work. Thoroughly checked over before shipping, it will be ready to wear upon arrival. This garment has been professionally cleaned, pressed and is odor free. Reference photo: screen-grabbed from video of F/W 1996 Chanel Collection. Hips: 22" flat across from side seam to side seam Waist: 20" flat across from side seam to side seam The buttons on the cuffs are fully functional.īust: 22" flat across from side seam to side seam Tagged a 42 but please go by actual listed measurements. Excellent conditionįully lined with a pale blue silk and closes with the buttons as shown. Having all those jeweled buttons almost makes it like wearing a fine piece of Chanel jewelry. Those buttons instantly identify this as a Chanel piece and they also adorn each sleeve and button down the front. ![]() Four pockets adorn the front and the three on the hip are highlighted with a cabochon encrusted, gold tone metal button. It is cut very boxy, the shape is almost a play on a man's overcoat, but the combination of pastel pink and powder blue keep it very feminine. It is constructed from a classic Chanel boucle and is lined in a high grade baby blue silk that has those famous double Cs woven into the silk. This was shown on the 1996-1997 fall runway and we have included the footage in the video below along with a screen shot. The lines and cut of this classic Chanel piece will never go out of style. ![]() Seriously though, you can not miss out on this opportunity to explore Boom Learning’s full features for FREE whilst you decide whether the platform is right for you or not!įirst, go to the Boom Learning website to sign up. You do not need to provide payment details and you can cancel or downgrade to a different or free account at any time. You can sign up for a free account, however there is an amazing deal going at the moment – new members get a free Ultimate membership through to June 2020. Next, you will need to sign up for an account. Boom Cards play on most modern browsers, Android, iPads and iPhones. In order to use Boom Learning you and your students will require internet access and a device. So are you intrigued already? It is so easy to get started! 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![]() Ultimately, the best video editing software will depend on your needs and budget. Both are free of charge, well-supported community, mild-learning curve, to name a few. These two open source video editing programs have many similarities. Lightworks is a popular choice for editing movies and has been used by many famous filmmakers. And the best part is, with Shotcut or OpenShot, everyone can get a hang of the entire video editing drill without investing in any paid video editor. Shotcut and OpenShot are great choices for beginners, while Filmora and Davinci Resolve offer more advanced features for professionals. In conclusion, there are many alternatives available to Windows Movie Maker that are free or can be purchased for a reasonable price. This software is available for Windows, Mac, and Linux and offers both free and paid versions. It offers a wide range of features such as multi-camera editing, color correction, and visual effects. Lightworks is a popular video editing software that has been used to edit many blockbuster movies such as The Wolf of Wall Street and Pulp Fiction. ![]() ![]() It offers many features such as color correction, audio editing, and visual effects. This software is available for Windows, Mac, and Linux and is easy to use and learn.ĭavinci Resolve is a robust video editing software that is used by professional editors and Hollywood studios. OpenShot is another free, open-source video editing software that offers a range of features such as 3D animations, slow motion, and time-lapse effects. This software is available for Windows and Mac and can be downloaded as a free trial before purchasing the full version. It is easy to use and offers many features such as split-screen, color tuning, and audio mixer. This software is user-friendly and easy to learn and offers all the essential tools required for video editing.įilmora is a professional video editing software that is widely used by vloggers and content creators. It offers a wide range of features including support for 4K videos, audio editing, and a variety of visual effects. Shotcut is a free, open-source video editor that is available for Windows, Mac, and Linux. In this article, we will discuss some of the best alternatives to Windows Movie Maker. Luckily, there are many alternatives available that can serve as a replacement to Windows Movie Maker. Unfortunately, Microsoft discontinued its support in 2017, leaving its users without a reliable video editing software. Windows Movie Maker was one of the most popular video editing tools for beginners and professionals alike. ![]() In its blog post, Epic said it has agreed with the FTC to implement a feature that explicitly asks Fortnite users whether to save their payment information for future use. ![]() The agreement will last for 20 years from the time it is adopted. ![]() Those design choices were allegedly implemented after surveys showed that, when the cancel button was more prominently displayed, accidental charges were the “number one ‘reason’” users clicked on the button, the FTC said.Įpic’s agreement with the FTC, which is not yet final, prohibits the company from using dark patterns or charging consumers without their consent, and also forbids Epic from locking players out of their accounts in response to users’ chargeback requests with credit card companies disputing unwanted charges. The FTC further alleged that Epic made it more difficult to cancel purchases of in-game items by burying the option at the bottom of the screen and by requiring consumers to push and hold a button on their controllers to complete the cancellation. The complaint claims Epic made it extremely easy for children to purchase in-game items with a single click or button press without parental approval, resulting in more than one million parental complaints to Epic about unwanted charges. The allegations of Epic’s deceptive design choices were filed as an FTC administrative complaint. In addition to the alleged illegal collection of children’s data, the FTC also claimed that Epic’s default settings for matchmaking and in-game communications exposed children to bullying and harassment. The FTC’s complaint and proposed settlement dealing with children’s privacy was filed in the US District Court for the Eastern District of North Carolina. “Protecting the public, and especially children, from online privacy invasions and dark patterns is a top priority for the Commission, and these enforcement actions make clear to businesses that the FTC is cracking down on these unlawful practices,” Khan said in a statement. “We accepted this agreement because we want Epic to be at the forefront of consumer protection and provide the best experience for our players.”įTC Chair Lina Khan said the settlement reflects the agency’s heightened focus on privacy and so-called “dark patterns,” a term used to describe design elements intended to nudge users toward a company’s preferred result. “No developer creates a game with the intention of ending up here,” Epic said in the blog post. In a blog post addressing the twin settlements, Epic said the agreement reflects an evolution in how US laws are applied to the video gaming industry. That agreement is the largest administrative order in FTC history, the FTC added. In a second and separate settlement, Epic will pay $245 million as refunds to consumers who were allegedly harmed by user-interface design choices the FTC claimed were deceptive. How companies subtly trick users online with 'dark patterns' ![]() The series takes place in a halfway house for very bad puppets and features four felonious puppet inmates who are doing time with their human caseworker as they wait until that glorious day. With Dan Redican, James Rankin, Gord Robertson, Bruce Hunter. Gordon Robertson was an actor who had a successful Hollywood career. In film, he was chief puppeteer on the non-Henson Teenage Mutant Ninja Turtles III (also face puppeteer for Michaelangelo), one of the puppeteers for Johnny 5 in Short Circuit 2, and worked on Mr. Puppets Who Kill: Created by John Pattison. ![]() He played Galileo on Groundling Marsh and Bill the ventriloquist dummy on the sitcom Puppets Who Kill. Outside Henson projects, Robertson played the title character on Zoboomafoo and worked with Shari Lewis on Lamb Chop's Play Along (as Buster the Bus) and The Charlie Horse Music Pizza (as Fingers the raccoon). Explore: Theincrowdvlog is a website that writes about many topics of interest to you, its a blog that shares knowledge and insights useful to everyone in many fields. May 10, 1958), also credited as Gordon Robertson, is a Canadian puppeteer who has performed in several Muppet and Creature Shop productions beginning with Fraggle Rock. Sadly missed by her grandchildren Ashlee (Matt). Nous reconnaissons lappui financier du gouvernement. Loved mother of Lisa Torontow (Mark) and Kelley Murray (Lawrence). S.Gord Robertson on the set of "Puppets Who Kill." We acknowledge the financial support of the Government of Canada and Canadas private radio broadcasters. Management, Sloan School of Management, Massachusetts Institute of Technology, 1980 Technische Hochschule Aachen in Materials Science Her regular teammates, Gord Robertson and Bruce Hunter, in whose company she later worked as a puppeteer for The Hensons, had both studied at the Ron East. Here is my Educational Qualification which I have completed: Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991) - English Actor. Check out this page for more updates on Gord Robertson. My son’s name is Klaus Oliver Genssler, my daughter is Melanie Jacqueline Genssler. Gord Robertson has mostly worked in English and has worked in languages like English. Fluent in communicating verbally and writing in Spanish, English, French and German. 24 1.4K views 2 years ago TOLUCA LAKE - Gord Robertson was the puppeteer of Zoboomafoo, the talking Lemur from the television show of the same name. He is an actor, known for Pacific Rim (2013), Possessor (2020) and Teenage Mutant Ninja Turtles III (1993). Gord Robertson Puppeteer, voice actor, Educator, Prosthetics shop guy / Movement coach / Pilates instructor Report Report Activity Experience Education. I was born in Duisburg, Germany and I am German Citizen. Gord Robertson was born on in Ottawa, Ontario, Canada. ![]() With Any Video Converter, it's an easy job to personalize videos and make them special and different. ![]() Paste URL links of your favorite online videos to Any Video Converter, it will download them to your hard drive and convert to video formats you need. And it supports ripping audio files from CD directly as well! Any Video Converter can easily download videos from 100+ video sharing site, including YouTube, Facebook, Dailymotion, MetaCafe, Vimeo, Howcast, etc in a step by pasting URL links. Any Video Converter is able to extract and convert audio from video files and save into MP3, AAC, WMA, OGG, Apple Lossless Audio and more formats. So with this powerful free video converter, you can enjoy all kinds of videos on your portable devices freely. It helps you convert all kinds of video formats for all kinds of portable media players including Apple products such as iPod, iPhone, iPad Sony products such as PSP, PS3 Android products and Microsoft products. Any Video Converter can help you convert various video formats including MP4, AVI, RM, RMVB, QT, MOV, 3GP, 3G2, FLV, MPEG-1, MPEG-2, DVR-MS, VOB, MKV, ASF, DivX, OGM to AVI, WMV, MP4, FLV, MTS, M2TS and SWF with fast converting speed and excellent video quality. Overall, it's a good free program, and worth checking out if you often want to convert video files to play on other devices.Īny Video Converter Freeware is a totally free all-in-one video converter, audio converter, CD ripper, video downloader, video editor and DVD creator. This app works great as a converter, but if you wanted to use it as a video player, too, you may be out of luck. But when we tried out this feature, all we saw was a blank screen, even though the controls seemed to indicate that the video was playing. Consīuggy playing: While the conversion side of the app works fine, there is also a Play tab that you should be able to use to play any video from your computer, and even those that you've downloaded through the app but not converted yet. ![]() With just a few trial clicks, you'll be importing and converting videos like a pro. A few helpful tips pop up when you first open the app, pointing to various tools that you'll need, but it's hardly necessary. 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Physiologist Dr Herbert Reindel laid the academic foundations for 1930s German coach Dr Woldemar Gerschler to make developments in interval training.īannister’s lynchpin session on the ash track near the Paddington hospital was 10 x 440 yards (effected with a rolling 440 yard jog recovery in approximately 2 minutes). Away from the track, AAA’s coach Jim Alford had been heavily influenced by the thinking of the great Swede, Gosta Holmer, and he signposted Bannister to the playing fields of Harrow School to effect fartlek based training in the winter months. One of his favourite track sessions was 3 x 1.5 miles (at around 14:30 pace for 5km). This being said, the running contribution to his aerobic development was complemented by hiking and his strength endurance by mountain climbing. In terms of cumulative aerobic volume, in running three or four times a week, Sir Roger averaged less than 30 miles per week in the winter phase of periodisation, regressing to just 15 miles per week during the competition phase of the macro-cycle, which seems staggering by today’s standards.īannister’s affiliation to the so-called ‘Paddington Lunchtime Club’ enabled him to fit training around his considerable commitments as a final year medical student at St Mary’s Hospital in London. Psychology aside, Matt Long digs a little deeper into his training diaries: Aerobic and strength endurance When interviewed about the physiological underpinnings of his achievement, Sir Roger would famously say: “It’s the ability to take more out of yourself than you’ve got”. At long last a mile had been won in three minutes-something. The announcer, Norris McWhirter, milked the moment as the anticipation in the Oxford air was tangible: “The result of event 10, the one mile.” … pause … “Is won by Roger Bannister of Merton and Exeter colleges” … pause … “In a time which subject to ratification is” … pause … “A new track, British, Commonwealth, European and world record” … pause … “Of three…” The rest was lost in the noise and excitement of the crowd, but the important digit was known. These were the days of pre-electronic timing and stopwatches had to be compared thus ensuring a wait ensued. Once over the line, he had no idea if the attempt had been successful as he collapsed into the arms of his coach for what would be one of the sports’ most iconic and enduring images. Sensing the moment, with 260 yards to go Bannister strode out with the pain etched on his face as he forced himself through the remaining yards down the home straight feeling that the “tape was receding”. The pre-race target was sustained through the half mile at 1:58 before Chris Chataway took up the running and hit the three-quarter mile mark in 3:01. The gun went and as they completed the first lap Bannister recalled feeling “so easy”, as he called “faster, faster” to Chris Brasher who had the good sense to ignore him as they hit the quarter mile at 58 seconds. His charismatic coach Franz Stampfl was an exuberant character who implored him: “If you have a chance and don’t take it because of conditions you may never forgive yourself”.Įventually as he stared up from the changing room at the flag flying from the nearby church tower he felt that the wind was reducing and announced to his pacemakers that the attempt was on. His travel to Oxford was by train and at this stage he was still in doubt as to whether the attempt should go ahead as weather conditions were decidedly windy and the thought was that conserving energies for more favourable conditions could be the right choice. 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Upgrade your ceiling fan control with the Anderic FAN51T Replacement Remote Control. If you need a replacement for the KUJCE10101, we offer a separate kit that is specifically designed for that model. ![]() Note of Warning: Please be aware that the FAN51T remote control is not compatible with the KUJCE10101 remote, even though they may have a similar appearance. It can even work with up to 16 different fans, providing convenient control for multiple fans in your home. ![]() This ensures broad compatibility and reliable performance across a range of ceiling fan models. Wide Receiver Compatibility: The FAN51T remote control works seamlessly with FAN28R and similar "canopy style" receivers. Using other types of bulbs may affect the dimming performance. However, please ensure that you are using incandescent bulbs to ensure proper dimming functionality. Lighting Compatibility: The FAN51T remote control is compatible with both incandescent (dim on) and CFL (dim off) lights. The package includes the FAN51T remote control itself and a convenient wall mount bracket with two screws for easy mounting. It even supports light dimming, allowing you to create the perfect ambiance in your space.Īdditional Information: This remote control is specifically designed for use with ceiling fans and is not compatible with other devices. This remote includes all the necessary buttons for fan speed adjustment and light control. No complicated programming required.Ĭomplete Fan Control: With the FAN51T remote control, you have full control over your ceiling fan's speed and lighting. Simply align the dip-switches to the correct pattern to match your ceiling fan receiver, and you're ready to go. ![]() ![]() With its seamless compatibility and user-friendly features, this remote control is designed to enhance your fan control experience.Įasy Setup: The FAN51T remote control is designed to work right out of the package for compatible Hampton Bay and Harbor Breeze ceiling fan models. Introducing the Anderic FAN51T Replacement Remote Control, a versatile and reliable solution for replacing your Hampton Bay and Harbor Breeze ceiling fan remotes. ![]() ![]() Nvidia and Toyota have been collaborating for several years now. ![]() “It’s our way of developing jointly and building the Nvidia drivers platform.” “Close collaboration is really our business model,” Danny Shapiro, Nvidia’s senior director of automotive said Monday. In short, Toyota is going to use Nvidia’s technology for the entire workflow or process to develop autonomous vehicles. Toyota is the first customer to use Constellation, a cloud-based platform that enables autonomous-vehicle developers to test their technology in the virtual world. Toyota is also using Nvidia’s newly released AV simulator Drive Constellation, which is now available to customers. This new agreement means Toyota will use Nvidia’s platform for training deep neural networks, testing, validation and eventual deployment for its cars. The partnership builds on an ongoing collaboration with Toyota and is based on development between engineering teams from Nvidia, TRI-AD in Japan and Toyota Research Institute in the United States. Nvidia CEO Jensen Huang announced Monday during his keynote at the 2019 GPU Technology Conference that Toyota Research Institute-Advanced Development - the automaker’s Japan-based research arm - is using the chipmaker’s full end-to-end development and production to develop, train and validate its autonomous vehicle technology. Toyota is deepening its relationship with Nvidia, as the automaker, and its research arms in Japan and the U.S., ramps up its autonomous-vehicle development program. |
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